Rhiz - Vienna, (Live Webcast on Rhiz Website).
lloopp - is a software written in max/msp, designed for sample-based.
lloopp is freeware, open source, and based on max/msp. lloopp, built in MaxMspJitter, is a ready-made interface, facing artists who don't want to learn how to program but want more from a software, than usually offered by commercial releases. Bill Orcutt - provides MAX/MSP externals that includes a unix shell object (MacOSX). lloopp has been used for several years by many musicians in the experimental/electronic genre for live concerts. The modular structure of the programs allows for very direct access to all relevant parameters over a network. lloopp is an improvisation-happy inter-face that musicians can form into individual instruments using various modules. todd burns, chris wolf, jon abbey, friends+family, akron, columbus, cleveland, max/msp, lloopp, delay pedals, hacked vst, ancient editing software.
The realization of this project is accomplished using soft-ware called lloopp. a Bridge Script for Max/MSP and Philips Hue. In the Kunstradio broadcast, you can hear a live mix by Wolfgang Kopper who is switching from one venue to the other, listening into all three duets. HueRequestBuilder.js - a Bridge Script for Max/MSP and Philips Hue. Lloopp is a music looping and processing software developed in the late 90s. Each of these three duos is streamed separately over the Net so it can be heard individually. I have previously spoken about Max in my last research article however this. In other words, the musical interactions pass through the “filter” of a third person, an echo at the same time from a different room. "Remote Filip" is the computer next to noid at the rhiz in Vienna. Boris's computer, controls another computer that, as a "remote Hauf" in New York, is next to Klaus Filip at OpenAir club. Boris Hauf is sitting at the Ausland club in Berlin playing a duet with the remote-contolled machine. Arnold Haberl aka noid, plays a duet at rhiz.barmodern in Vienna with a second, remote-controlled computer that, via a network connection, performs the exact same musical gestures - a "remote noid", as it were.
Three places, three musicians, three duos, three streams. (The sig object is a good way to get a constant signal value. For normal playback, the rate should be a signal with a constant value of 1. We hope to have our service up and running soon again. The groove object plays sound from a buffer, using two important pieces of information: a rate provided as a MSP signal and a starting point provided as a float or int message. LIVE within the moving patterns festival 04 (NY)ĭue to our past provider, publicvoice-lab being unable to support us with a functioning mp3 server for 2 months now, in the meantime you have to stick to OE1 webradio to listen to the broadcast. Miller Puckette created The Patcher Max (the precursor to Max/MSP), and later Pure Data, two of the most important tools in the history of visual programming and computer music.Max was designed by Miller in the mid-1980s as an aid to computer-music composers who wanted to build their own dynamic systems without needing write C code.